even the biggest secrets will come out eventuallyÉ! and so we are very excited to announce the next in the series of dessous >best kept secrets< - volume 3 no less!cd1 - compiled by steve bug, cd2 - mixed by phonique..

the story of skint & demoralised is too long and complex to go into here, but suffice to say it was quite a surprise to see a new release from skint & demoralised, let alone the bonus inclusion of the long shelved debut. made up of poet matt abbott and producer mini dog, skint & demoraliseds songs revolve around teenage pursuits like getting high, getting the girl and getting pissed as well tackling social issues like unemployment and alcoholism.

this new reference on dilek records is something very particular and out of the ordinary. it was achieved after a long period of work in the studio, which lasted three years and was done with a lot of heart and passion. its the 10th vinyl release of this surprising swiss/argentinean label who is now presenting an extremely multicultural project. this release will be available on vinyl as well as in digital format including bonus tracks and later on also in cd, with even more unedited material! listen to these tracks and have the opportunity to discover something totally different with some of jorge drexlers uncut material. this new album was supported by amazing artists as well as magazines and radios stations that you can check bellow.

for over a decade mark grusane & mike cole have been a vast music resource for djs, producers, collectors, rare music compilers, and specialty stores around the world. they started individually, each with their love of music. they traded and sold music with those -in the know- for years. in 2004 mark & mike focused their energies into founding mr. peabody records. the business plan and mission was to become a world class resource for all genres of obscure music. until now, their focus has been growing the shop. but the soul of mr. peabody records does not reside in the bricks and mortar the store, or even in the bins of records themselves. the real genius lies in mark & mikes unique ear for music.

wretch 32, real name jermaine scott, is one of the uks most loved mcs - from the underground up. from his early years in londons flourishing grime scene back in the early 00s, the tottenham-raised lyricist has always stood out from the crowd. his conscious and reflective bars, along with an extremely relaxed flow, made him a firm favourite on the uk hip hop circuit. much like tinie tempah, wretch 32 has proved that british mcs can reach the mainstream without selling their soul to pop. the first fruits of this crossover success were tasted in january 2011, when his single traktor broke into the domestic top five following an appearance on the bbc sound ofÉ list. and his second official single, unorthodox, fared even better, peaking at number two in april. so its clear that much has changed since his debut lp of 2008, wretchrospective - but has public recognition come at the expense of what marked wretch 32 out as such a talent in the first place? not at all - on the opening title-track, the rapper lets the listener know that its the same old wretch at work. over a drum-heavy hip hop beat he sets up the rest of the album well, advising everyone to fasten their seatbelts as he prepares to take them on a ride that they wont forget in a hurry. never be me finds wretch delving into his past, opening up about making certain decisions in life that got him to where he is today. featuring rnb newcomer angel on the hook, the track has an inspirational feel to it - all over another impressive, but this time more grime-influenced, beat. a true standout is anniversary, with alex mills on singing duties - its a love song, minus any cheese. then the album lurches into the electro-infused sanes the new mad - a glimpse into wretchs party lifestyle, with ladies and alcohol at the forefront of his attentions. and closer dont go just might be one of the tracks of the year.

last year, we here at mexican summer came under the spell of the starry kaplan sisters: piper and skylar, and their band pearl harbor, who graced the land with their beautific something about the chapparrals ep. funny how time flies for the beyond their year siblings, as its suddenly 2011 and pearl harbor now goes by the name of puro instinct. now piper and sky find themselves bolstered by four other bandmates: cody porter, jessie clavin, mike baum, and crazy murray to make their hazy, swirling pop even more realized and sumptuous.

after two re-releases of conrad schnitzler classics, (zug & ballet statique) now m=minimal releases a completely new work from the pioneer of electronic music. conrad schnitzler is a sound explorer. for many years, he has been on expeditions, journeys through his collection of electronic synthesizers almost every day. sounds he liked has been conserved on tape and stored in his sound library. the result is a huge library of audio files, he calls them >solen<. >borngrŠber & struever< have got the chance to examine that library and started to con-struct new pieces out of the hidden gems. these are not remixes but new compositions. none of the sound combinations were thought or heard before. the 8 tracks form an album independent of any trend and therefore it becomes a real acoustic environment for everyone. the album was produced at studio.wannsee. to give the album more authenticity, the complete audio processing was done using analog equipment. they not only used many classics among the finest synthesizers and outboard equipment, but also custom built tube gear. the icing on the cake are the tubes used from the 60s, which bought christian borngrŠber on a trip through the atacama desert in a small radio repair business in the city of calama. thanks to the desert climate even the packaging of the tubes looked as new

dj diamond is 24 year old karlis griffin from the west side of chicago. he has been producing music since the age of 13 and djing since 20, heading the -flight muzik- clique of footwork producers. you might recall his two tracks from our -bangs & works vol.1- footwork compilation of last year. in addition hes also released several mix cds in chicago, but this, his first international album showcases his unique style of footwork music. dj diamond is a unique producer with his own distinct style and an unusual ear for unexpected sonic and rhythmic combinations within the footwork template. often he thoroughly edits samples into tiny trance-inducing, techno-like stabs. combining this with a penchant for neon synths and loose, broken drums (that are often more effect-laden and freeform than those of of his peers) and you have a sound which has an intriguing, deeper, dreamlike feel. the breadth and quality of his production is clear when you listen to this album. take opener -rep yo clique-s woozy drawling synths and tribal tom patterns next to -speakerz n tonguez- with it-s snapping snares, minimal, repetitive voice samples and martial, detailed drum work. then a track like -torture rack- which is like grime in outer space: a minimal bassline and some samples from a computer game, while a bass kick stumbles at half time, swarms of percussive detail giving it drama. its a brilliant exercise in wonky tension. the extraordinary -decoded- comes across like a kind of amalgam of trance and prog rock bombast at 160bpm while -wreckageÕs- high pitch saw noise is like a strange metallic bird-call, over light cymbals, gabba-like kicks and metallic claps. -digimons- harmonic microedits could even be an snd track transported to chicago. finally the albums closer -i choose you- rolls out over a heavily edited and processed soul sample, its drums rolling off at odd angles to almost seasick effect.

finn enlisted burke reid to co-produce fomo after recognising him as a kindred spirit, and reid certainly challenged finns perceptions about what constituted a great record. the often confrontational collaborative process pushed finn to develop his sound and the resulting lp exudes raw energy.

2087 is inspired by the science fiction film -cyborg: 2087- (1966) by the writer arthur c. pierce, directed by franklin adreon. plot modification and soundtrack by jeff mills. it is the year 2087. the world had become a place where thoughts were not only monitored and restricted, but also, muted or reconstructed to favor the current rulers of earth and its inhabitants. the once exceptional human was merely reduced to a byproduct in the multi-dimensional industry of planetary hypostatisification. a boundless depository of cosmic energy controlled by an unknown force that had become too powerful to even reveal itself. a small and resourceful group of young scientists, engineers and devoted supporters create and send back through time a cyborg. a low technological invention consisting of human fibers and machine. out of desperation and precise planning, he is sent back to the year 1966 to prevent earths leading mathematician from thinking about the numeric breakthrough that would eventually lead to the mass thought control and human manipulation of the future. the cyborg (garth) soon discovers he is not alone in his mission, giving grave suspicion to possible traitors or spy within the young group of his creators. garth succeeds in finding and assassinating his target, but as the result, he alters the future and becomes the only remaining symbol of a time that never existed. a man out of time.

the darkside of hardcore is back, even more heavy, even more experimental! this time the curse is casted by meccano twins and the subtitle confirm it: the wrath of god! dont expect cheap melodies or mainstream tracks, the sound is fat, extreme, harder than ever. many unreleased tracks from top producers like tommyknocker, tieum, meccano twins, promo, armageddon project, nosferatu, angel of darkness and many others. darkside: hardcore to his exteme level!

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsunŽ music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

the ever on point citrus recordings is stepping up for its 5th artist lp. after having released the debut albums of mindscape & jade wich all went on for critical acclaim its time for citrus to get ready for its 3rd artist album. this time its time for the debut album of fourward! hailing straight from lower austria the four men collective fourward started out producing music in early 2007. the boys knew each other for quite a while and shared the love and passion for drumandbass music. for them it was always a main issue not to stick to any particular tiny subgenre only, but to develop a sound of their own. all members have different musical backgrounds which fit together perfectly and provide a great studio vibe. days went by and the boys finished a couple of tunes properly and it wasnt long until austrian drumandbass producer duo body&soul showed interest in their works. also international artists like bbcs very own crissy criss began to support their music giving them airplay on his radio show. as a result of their effort fourward has released quality tunes on labels like subsonik sound, planet funk and fokuz. the year 2010 they experienced the so called breakthrough with releases on nasca recordings and fokuz followed by an epic 12inch for the legendary label virus recordings! the guys definitely didnt stop there and being on the road now broadened their horizon even further. resulting in a series of tunes perfectly fitting together in this cd. diversity and musicallity are keywords for this album. listen from low blow to you and me, quality drum n bass!!

dave.i.d likes to think for himself. always has done. its the reason why his debut album didnt go quite according to his initial plan. he was going to make, to use his own words, >something pretty simple and straightforward<. but then he noticed lots of his friends were discovering new beliefs. some even tried to convert him. >im very open-minded to different beliefs, but i question and see things slightly differently,< he says. without necessarily wanting to, he found himself reflecting on existential questions. >the album is a record of the time that it was made, and thats what was going on in my life at the time. i didnt necessarily want to make the debut album like that. i felt i had to make it<. the cerebral inspiration catapulted him into musics outer rim. he beamed back a dark, dense sometimes confrontational sound, but ultimately compelling sound. but, in the end, it turned out to be a happy accident because the resulting record, called >response< appropriately enough, is mind-bendingly inventive, brilliantly off-kilter and constantly surprising. crucially, the tough sonics are paired with killer melodies: this is deep, heavy music you can hum. the records he was listening to while making >response< help make sense of his singular sound

sine music released the second album by merge of equals entitled submerge. the album will be available on cd and at all well known download stores. as the title suggests: listeners of submerge dive deep down into the sound-world of flavio maspoli. this versatile, multifaceted artist and producer from zuerich caused a sensation in the european music scene with his debut creation intoxication and now, with his new album, puts the listener, already with the first track, into a kind of rapture of the deep. the world is one could well be the credo of this new album submerge. with titles like tvija lijubov, biya, opium or atesh mystic and exotic tones taken from a wide variety of cultures fuse with modern beats and futuristic electronic sounds to enter a new symbiosis. the captivating vocals in varying languages of the guest vocalists gina estrada, sitta foehr, jelena schweizer, katt tait and kotomi bisang-mori guarantee a very special multi-cultural deep-sea dive while discretely enhancing the established chillout and lounge paths. even the classic bar chillout lover will be rewarded with tracks such as kleine wolke or heart & mind. the artist describes this new slot he has created as >magic chill•< offering a balance separate from prevalent trends.

the cocoon compilation k, being the longplay flagship in the cocoon catalogue, adequately starts the second decade of the label with a musical imperative. but dont worry: even if the letter k has sometimes been misused as an indicator for the degree of hardness of some sonic noise in the past of the tech-house scene, >k< is definitely the deepest survey of contemporary electronic dance music that has ever seen the light of day on cocoon recordings

since his first two personal album releases on kilk records, serafim tsotsonis has been developing into a talented musician. with the release of his brand new album. beautiful people, the greek artist takes a step further, presenting even more facets of his diverse talent with a work of exceptional polyphonic delights.in the albums opening track red, green, blue, a unique postmodern lullaby, the serene atmosphere of a childs room, is pierced with the sounds of an urban environment. an imposing performance by zach soars together with a chorus comprised by mikael delta, kid moxie, kiki, antoneta kotsi, fay depasta and serafim himself. at the same time, dimitri vassilakis, one of the foremost recognized greek wind musicians, adds further brushstrokes of sensitivity with his saxophone. with relaxed beats, unequivocal references to 80s melancholic electronica and the vocals of kiki and kid moxie, my own sea invites the listener to dive into the waters of his own dream world. in a way, it constitutes a continuation of serafims past creations, as heard in his earlier works, a fact that is sure to satisfy the most loyal of the artists fans. the dubstep references in the intro of so good, are intertwined with the modern electronic sound of berlin and the saxophone of dimitri vassilakis comes in at the end, marking a shift that leads to an exploration of new sound structures, in which european metronomy meets neo-jazz. the most radio-friendly track of the album comes with far away, a mutated balearic rhythm interpreted unpredictably by the rock-tinged voice of norwegian sverre olav r¿dseth. catch the cloud is where the album really takes off. a deep tech anthem for clubbers around the world, one can imagine it featured on the soundtracks of films such as berlin calling, had it been released sooner

in june 2011 dj phono will release his first album on hamburgÕs record label diynamic. Òwelcome to wherever youÕre notÓ is a work of heart, of emotions of awakened, flourishing, and unrequited feelings. itÕs something of a kind that could neither be accomplished within a nights work nor even in a cycle of nights, but only in good time. dj phono and his producer jimi siebels (a different jimi / egoexpress / its records) allowed themselves to take this time, two years, to be precise

expect the unexpected, they say, and it should come as a surprise to many as we warmly welcome to the kompakt family one of americas most celebrated producers in dance music, john tejada! born in austria, he relocated to his current home of los angeles at the age of 8 and, following a brief career in hip-hop, found his home in electronic music. if you are even the slightest fan of the genre, you will be hard-pressed not to have heard his music over his decade+-long career. >parabolas< is a true highlight in john tejadas deep catalogue. bold words indeed for a producer who is known for unexpected variation and tremendous musical imagination

rench dj-producer tom pooks releases a very special mixed compilation, bringing to your ears the kazantip unique atmosphere. the kazantip republic invites tom pooks each year, so he decided to release a mixed compilation to share his experience. last year, tom pooks opened for carl cox performance and the idea of this compilation became really serious, with the support of mike spirit, the then minister of songs and dance of the kazantip republic. now, french techno expert reveals a deep and strong mix, with 13 underground tracks and nothing but good vibes. without any big names nor big hits, tom pooks delivers a brillant mix, evolutive and mental as he loves. this mix sounds like the freedom and magic of kazantip, which is a strong experience in tom pooksÕs life : Çmy first time at kazantip was something weird, arriving in the midlle of nowhere, kind of lost in south of ukraine, even a bit scared : not my language, not the same food, not the same cultureÉ but after being welcomed by mike and his team, i found out the real spirit of kazantip !È no doubt, this compilation is a real tribute to the kazantip way of clubbing

jessica 6 ist das neue projekt von nomi ruiz, schillernde sŠngerin des hercules & love affair debutklassikers aus 2008. unterstźtzt wird die djane, mode- & kunstikone aus nyc von den automato-mitgliedern andrew raposo (bass) & morgan wiley (keyboards), die oft mit der dfa crew (james murphy, tim goldsworthy) aufnehmen. jessica 6 liefern auf >see the light< eine erfrischend charmante mixtur aus disco, electro, soul & pop mit einer prise r&b. zu den highlights des albums zŠhlen der opener & hit >white horse<, der orientalisch angehauchte titeltrack, das grandiose >prisoner of love< feat. antony hegarty (antony & the johnsons), der ohrwurm >fun girl< sowie die melancholische r&b midtempo-ballade >champagne bubbles<.

from the catwalk to the club! 2cd mix plus bonus disc! staring avicii,simian mobile disco, mark knight, laidback luke, atfc, chris lake, roiksopp, alx gaudino, daddys groove ..

excellent dj t. album!!

more raunchy, erotic filmmusic from the vaults of italian 60s & 70s cinema the finest in italian 60s sountracks course 2 the return of italys most raunchy, erotic and sensual film scores from b-movies of the 60s and 70s. after the stunning success of volume 1, the sequel tops its predecessor with even more stunning poster reproductions, information on the musicians and the feature films. italys most prominent film composers are here to give you excessive sounds of cult pasta cinema which often have never been released before. - cd (jewellcase) + 16 page booklet with poster

whats the point of a concept album when no one hears the concept in it? maybe that it sets a boundary, forcing mr artist to go even deeper into the fewer possibilities left. creativity by limitation and all thatÉ well spare you further theorizing. >fever<, the third longplayer by dutch low end scientist 2562, then, is his disco album: a thorough reinterpretation of underground disco music from the mid seventies to the early eighties, with his own birthyear 1979 as the gravitational point. all based on one simple rule: every single sound, from the smallest background shiver to the most obese sub bass, originates from a disco record Ð no additional synthesizers, drumcomputers or other samplesources involved. disco-edits, italo homages or filtered loops then? hardly. this is genuinely new and retro-free music that respectfully flips its sources so hard even the biggest paradise garage connaisseurs wont recognize what just hit them. or in the words of musical allies martyn and pinch, who independently drew the same conclusion: >sorry, but i dont hear that whole disco story in there. this simply sounds like you.< completely failed as a concept album, then Ð and all the better for it.

the new album, liquorice, from martin stimming wasnt initially planned to be an album. there was an intrinsic need for him to express what was going on in this period of life. relationship problems led to a very punk, off-whack attitude to his producing. with seven tracks done and dusted, he figured the work was more than just a collection of weird shit, it was a whole new music experienceÉ add another 5 months of studio work, he named it liquorice. definitely hard to pigeonhole - call it minimal, stripped back, dub, experimentalÉ we think >electronic free jazz< comes the closestÉ no sign of a typical 4/4 bass drum at all and stimming has incorporated his trademark use of field recordings, from a marble run, a pizza slicer, a trashcan, a coffee machine, and an ice train shuttling past to name a few. the stimming esque percussion, which is even more radical this time, has been thrown in with all these facets in his massive melting pot, coupled with some dark emotions to create this liquorice. >this time i didnt use all the main events a groove normally has<, recalls martin

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

welcome to the latest edition of hed kandis ever popular location-led release world series.next on the roster is one of the most glamorous, stylish and fashionable capitals of the world. featuring the best upfront house from kandis worldwide dancefloors, hed kandi will be taking you on a journey to the worlds most iconic and cosmopolitan fashion houses, clubbing hubs, home of the party elite and of course the birthplace of kandi hq in world series: londonhed kandi in-house fashionista, resident maddox dj and latest addition to the hed kandi roster, marie claire, is responsible for the mixes over two cds,defining the sound of our london events. this release also brings you a bonus third cd featuring the soundtrack to the major fashion houses this year.

debut album from curv on vinyl vibes records ... after various successful 12inch releases on vinyl vibes, the label introduce their first artist album from curv. while in the past mixing organic and clubby elements, deeply rooted in soul and jazz, curv recently developed a stronger love for electronic music, splendidly reflected in this fantastic record. between here and nowhere is not just another electronic album as one might expect. it features a unique style of warm, analog sounding club music which makes perfect sense as a listening experience too. it would not be curv if jazz, funk and disco didnt feature, if he would not occationally mix the electronic beats with some natural sounding drums, the keyboards with some piano. but he is now putting all these things into an electronic context of house beats, naughty electro and even deep minimal. in between all of this you still find all those stunning little details that make his music curv-music in its very own & special way.

mark mcguire operates chiefly as guitarist in the legendary emeralds. however he also has racked up an impressive set of solo releases over the last few years (albeit mainly in small to micro print runs). living with yourself is his new album and we at editions mego hope to meet any demand which may arise from this fine selection of modern crafted guitar tunes. focusing on his family, early friendships and the problems that inevitably develop through years of knowing someone, it takes mcguires sound even further out, and contains some his most accomplished songs to date. the opening track is fine example of mcguires magic technique of taking a lone acoustic guitar then transforming the track into bliss-out electro wash looping off into the distance. and tracks like clouds rolling in and brain storm take off where such mcguire classics as the marfa lights (which incidentally is planned for a future reissue) left off. while connoisseurs of his sound will find all they desire in here, many superb surprises await around every corner. these are songs that cruise, bubble and rise to the top.

with the duo we love, ellen allien has sought out the golden needle in the haystack of current club music. its almost impossible to resist the charm of the sweet giorgia angiuli, with her alluring brown eyes, and the wild locks of the contemplative, emotional piero fragola. the pairs debut album could become the chorus of the summer. their enchanting songs fuse the ecstasy of club land with the emotions of pop. giorgia and piero moved from the south of italy to florence and immersed their intimate love songs in a synthetic glamour.

in den fu§spuren von kźnstlern wie david bowie, iggy pop und depeche mode, die einst nach berlin kamen, um die legendŠre dunkle energie der stadt einzufangen, sind nun auch !!! in deutschlands hauptstadt gereist, um eine platte zu produzieren, die einerseits nachdenklich stimmt und andererseits ihr direktestes, um nicht zu sagen: poppigstes album geworden ist. -strange weather, isn-t it?- ist au§erdem ihre strukturierteste platte bislang geworden, angefźllt mit tiefen, derben grooves in der tradition ihrer 2003er-single -me and giuliani...- oder ihrer hymne -heart of hearts-. gleichzeitig lŠuft da dieser dunkle unterstrom durch die platte, der als kantiger kontrapunkt zur glŠnzenden oberflŠche agiert. kurzum: -strange weather, isn-t it?- ist die perfekte berlin-platte geworden!

we are proud to present >into the great wide yonder<, the second album of anders trentemoeller and the follow up of the highly succesful >the last resort< (2006). just like his debut, which struck a chord with new audiences all around the world, >into the great wide yonder< is a truly remarkable album, offering as much depth and soul as its predecessor, yet sounding ultimately fresh and different.

that juan maclean is just a bundle of contradictions. here hes created one of the years best mix cds and not just a proper party mix, which it certainly is, but even what you might call an >important< mix, a timely lesson in the enduring spirit of house musicÑand how does he choose to describe the process of putting it together? as an >existential tailspin<!

when dial records started in 2000 with a bunch of friends highly inspired by deep house, detroit techno and cologne lovetunes, nobody of them ever thought about running a decent record label. the only concept david lieske, peter kersten and paul kominek had in their mind was never to be part of any proper record business, never to be controlled by any rule or trend, always to let the record label be a part of their love for music and arts. even the dial family was never intended growing that big, almost 70 percent of the artists on the first compilation are the same on >2010<, the history starting from a small label based in hamburg turned out climbing a high mountain. touching cities like detroit, tokyo, paris, berlin, buenos aires, releasing music like contemporary classic, drones and glitches, ambient, guitar pop, singer songwriter, deep house, minimal techno, discovering arts of protagonists such as michaela meise, sergej jensen, dirk stewen, hanna schwarz, anna mšller, cosima von bonin, all this fills a decade of dial records. but still the main part is the music and as we hold the 2010 compilation in our hands and listen to the tunes of phantom ghost, isolŽe, pantha du prince, carsten jost, john roberts, efdemin, lawrence, christian naujoks, dominique, rndm, pigon, kassian- we still have this enthusiastic feeling that wants to tell us: this is only the beginning

formed in the early 70s, the sounds of liberation was a group of philadelphia musicians. the sounds of liberation mixed jazz, funk, free jazz and spiritual jazz into a harmonious celebration of sound. with their infectious music they even found themselves playing long side kool and the gang at the 6th annual miss black america pageant. an incredibly rare record reissued for the first time on cd. this reissue was transferred and re-mastered from the original audio tapes and includes never before seen pictures

dj ferry corsten, international hit maker, and award winning producer at his very best! featuring behind the scene footage during his shows around the world, including an exclusive backstage interview, plus highlights of the live recording from the massive full on ferry 2008 event, picture gallery and much more! most people can only dream of the life of a successful dj/producer. a life of unlimited luxury, where you spin at the biggest and best parties, and get to visit the most exotic, and beautiful places on the planet! its everything any dance music fan could ever wish for! many people dream about a life like this, but only a very few can actually live the dream. ferry corsten is living that dream! he has successfully managed to transform his love for dance music into a dream job of making music and spinning records across the globe! ferry has topped the worldwide dance charts with hits like punk, beautiful, rock your body, rock and made of love, has won numerous dance music awards, and has organised and presented 3 years running, the wildly successful event full on ferry in his home town of rotterdam. the ferry corsten backstage dvd takes a look at the dream life of one of dance musics privileged performers. a journey that takes you around the world for 6 months leading up to the release of ferrys latest twice in a blue moon album. also watch him as he prepares for the full on ferry 2008 event! take part in his unique experience, his expectations, his dreams and even his fears. meet the team behind ferry and his biggest fans that follow him all over the world! ferry corsten, in the spotlight and backstage!!!

back in stock !!

in cars we rust is their debut album, and it presents the most complete picture of exercise ones world to date. the dancefloor stormers are still there, and the records flow is guided by the same spirit of improvisation that drives their live sets. but the clubbier material is rounded out by sounds weve never heard from exercise one before: gorgeous, enveloping ambient tracks soundtrack-ready synthesizer ballads even a kind of retro-futurist electro-pop.

exile began his musical career in 2000, releasing drum & bass on labels such as beta and moving shadow, but as the years progressed, his sound started to become more complicated and abstract. this was mostly due to his obsession with the reaktor software, which enabled him to spend much of his time creating new and interesting sounds from scratch. his debut full-length, 2006s pro agonist, saw him add elements of breakcore to his constantly mutating yper-breakbeats, but that gradual change in style is nothing compared to the total departure that hes taken on listening tree. long-term fans may be shocked to know that listening tree is peppered with exiles own vocal tracks, as he tackles issues such as britains buy-now-pay-later culture, and even the dynamic nature of the universe on family galaxy, the first single. >family galaxy< is about the constant process of change that underpins everything, explains exile. its a tale from a thingless world where nothing stays the same. as now shines its shifting shades on then, so our ideas of what we have done and will do continually morph.the result is an eccentric electro-pop album that is just as likely to appeal to fans of hot chip as it is otto von schirach

this two swedish musicians present their groundbraking new 2 cd album of fabulous electronic music! supported by sven väth,loco dice,martinez,josh wink,laurent garnier,matthias tanzmann,wighnomy bos,gabriel ananda and many more

kitsunŽ maison keeps selecting the best among musical insurgents, ignoring continents and currents. lost in myspace ? anxious in department stores ? thirsty for new blood ? once again, kitsunŽ maison 4 will be your dowsing rod, uncovering an unexpected musical collage to listen to in a car, in a club or with earphones Ð but always very loud. and once more, here are unpublished gems, rarities, exclusives Ð and even stars, featuring darkel, the whip, feist, boys noize, hadouken !, whitey, dragonette, thieves like us

ark makes us happy again with his punkfunk. weird stutterhouse patterns with hip hop grooves and funky vocals. for the latter he has invited two guests: on sucubz xavier vindard sounds even dirtier than james brown. this album should be listened to with your sneakers on because you wont stop moving your feet till your neighbour rings the bell

very sucessful superpitcher album from 2004!